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Artistic features:
"Horse riding Huns" stone carving as the main statue, with huge hills rock carved out a horses to the Huns invaders tread on the ground, horses and vigorous and solemn, solemn and steady, riding in the horse on the back of the Huns invaders Bow and arrow for struggling desire. The whole sculpture horse under the belly is not forging empty processing, seamless, highlight the large decent, to strengthen the overall sense and a large sculpture of the shape of a circular carving. The work of the use of symbolism, praise Huo Huazhi beat the historical merits of the Huns, with the image of the horses to praise the master of the arduous, heroic heroic heroic spirit.
Other stone may have been scattered around the tomb area, and some stones scattered on the mound. Jump horse ham legs squat, forelimb for the shape of the jump, to the impression of intense excitement; lying horse, although temporarily for the rest, still head watching the movement in front, did not relax vigilance; Fuhu climb lying on the ground, Through the chewing of the mouth, sharp eyes and slightly raised shoulders, still makes people feel ferocious.
Artistic features:
Stone carving concise, exaggerated, in the shape of a large turning point for a bold and simple chisel, and in the details of the performance on the use of relief and line carved way, making the whole sculpture more vigorous atmosphere, full of vitality.
For example, the "horse riding the Huns" is the most representative of the stone carvings in the tomb of the most representative works, works in the horses and mighty, proudly stand up, the enemy curled up at the horse, dying, and the whole horse contour seamless, suggesting that the Huns The fate of defeat. The characterization of the Hun people in the horse has a certain significance, although the whole character image modeling concise, but in the hair and beard and other facial features on the treatment of exaggerated portrayal, reflecting the Han Chinese characters on the image Understanding and understanding. It is worth noting that the sculpture immediately did not the image of the general, and this is precisely reflects the beauty of the Han Dynasty sculpture connotation, meaning and not shape.
Time backgroud:
BC 2 century, is the era of Emperor Wu of the government, the national strength is relatively strong, technology, art level further enhanced. The powerful Western Han dynasty inherited and carried forward the excellent artistic tradition of the previous generation, boldly absorbing and drawing on foreign art, so that the Han Dynasty sculpture art has made brilliant achievements. Han Dynasty sculpture as a feudal society in front of the powerful dynasty art, with a deep and magnificent spirit reflects the full of confidence and vitality of the spirit of the times.
