The Characteristics of Stone Buddha in the Stone Carving Process in the Six Dynasties

Answer:

During the period of the Wei and Jin Dynasties, the creation of Buddhist art became the history of Buddhism, and the art of Buddhist statues gradually became one of the main forms of ancient Chinese stone carving art. The sculptures of the Wei and Jin Dynasties and Northern and Southern Dynasties have also developed on the basis of tradition, the struggle and integration between ethnic groups and the influence of exotic culture, which makes the art of stone carving at present show a more colorful appearance. , More common than the Han Dynasty, style style is also a significant change. The tomb of the Six Dynasties directly inherited the shape since the Han and Jin dynasties, it is in the base tree from the polygon of the column, the top of the column engraved square version, the top of the column, in the carved covered with a lotus covered In the Six Dynasties Xiao Jing grave form the most gorgeous, carvings, although many but no sense of mattress, from its fine lotus cap, we see the impact of Buddhist art on the traditional stone from the existing permanent tomb The relief image of the room can spy out the achievements of the Northern Wei stone carving art. It can be seen, to the north and the south, Buddhist art has penetrated into all areas of stone, and gave it unprecedented vitality. Buddhism art in the cave statues and various occasions for the image, are religious worshipers rely on the quiet by virtue of its very developed, and the prosperity of Buddhism inseparable, both for the product of religion, but also profound times the brand of society , Both the admirers of the interpretation of the true meaning of Buddhism, but also the artist's inner monologue.

Decorated by the pattern of the flying theme is the most fascinating image of the angel, grace and different, elegant living, the most able to reflect the spiritual spirit of Buddhism by the birds and flowers and flowers decorated with niches, like the magnificent Arima. Buddha backlit flame pattern, and sit and the power of the formation of the Buddha statue. The two sides of the continuous volume of grass, from the Han Dynasty to the Northern and Southern Dynasties period, but its composition has been integrated into the Persian style, such as the combination of two groups of cursive column is the case of the same. With the Buddhist art of the East, Grotto Decoration Art, we can also find a lot of ancient India, Persian and Greek decorative arts. The influence of foreign culture on the development of Chinese culture and art is immeasurable, even if the art serves the mark of religion and social life, and it is an important step in the development of Chinese culture and art. The problem lies in the introduction and popularization of Buddhist art, for the development of classical art to broaden the endless performance of space, so that the ancient Chinese art really get rid of the fetters of symbolism art, to the realism. , The ancient Chinese carving lack of lyrical and narrative, until the Buddhist art of the prosperity of the developed, it was fundamentally changed.

Stone art is not only a symbol of religious spirit, but also a variety of social life reproduction, so in fact the Wei Jin Southern and Northern Dynasties stone content is very extensive.This is also introduced by the Northwest national cultural factors, they gradually fundamentally changed the Central Plains people Living life and its handling of interior space furnishings. During this period the formation of the main stone art, are influenced by the influence of Buddhist art, which is reflected in the stone carving art is particularly full. Art of architecture is a very comprehensive art, in which the stone carving process occupies an extremely important position.The Northern and Southern Dynasties stone art can be described as the culmination, unparalleled, which in the excavation of large caves and their statues, as well as crafted image processing and Decorative composition, have a full performance. On the one hand, we in Taiyuan Tianlongshan and other places on the grottoes, see the mason to a very superb skills to shape the wooden structure of the grotto architectural form, this large-scale stone carving a large number of buildings, no doubt for the extensive implementation of later stone carvings Laying the technical foundation.Currently in China before the ancient buildings have no longer exist, the cave temple left the standard architectural style, which is more commendable. Chinese classical architecture style and decorative components are rich and colorful, which in stone carving art also have different forms of reflection.For example, the image of the Northern and Southern Dynasties building components, compared with the Han is a more gentle and refined style, pillars appear basin And the lotus two forms, the column is also different styles, the purpose is to enhance the visual beauty of the viewer at the same time, through the stone form of observation, we can also appreciate the Buddhist statues and paintings in the performance style consistency.

The Buddhist art caves and statues are developed in the north dynasty, which is closely related to the line of Buddhism eastward, the high degree of national integration and the tragic struggle, and the relative art of Buddhism is not developed in the Northern Dynasties. Delicate and gorgeous, knife and delicate, self-contained. In addition, the small stone carvings in southern China, in a few hundred years there is a considerable degree of development, one of the most notable is the talc sculpture. These carvings are mostly buried in the burial device, full of muscle strength, Dynamic figures calm and powerful, unruly state of vivid and happy, quite a statue of the legacy of Chinese figurines. Pellets are also common funerary objects, put in pairs, at first most vivid and realistic, after the evolution of abstract and formal style.Step vivid vivid, its usual way is the deformation of exaggeration and abstraction, leading to the form of realism evolved into a symbol The aristocracy of the Northern Dynasties and the nobility of the aristocratic life, on the one hand from the superb stone building and its stone art can be seen on the other hand, the image of the three carving art reproduction of the people at that time the beautiful picture. From the Northern Wei and East scan stone chamber stone carvings and statues stone carvings, we can see the veranda-style houses, straight window lattice, graceful ladies, Shu Shuangwang honey sitting aristocracy, the line of Jin Jian smooth, Of the hook type, vividly present the basic techniques and performance style of Chinese painting at that time, its elegant and elegant style, pro-suitable and lyrical. Since the Wei and Jin Dynasties, the literati advocated the natural scenery, broad-minded and uninhibited, which led to the aristocratic government after the garden landscape development.From the stone carvings, we can also see the poly stone cited spring, plant landscaping interest.