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Architect: Arquitectonica
The location of the project itself is unique and challenging: a busy city center - tall buildings, neon lights, traffic flow, bustling, people from all over the world, language mixed with each other, full of noisy, turbulent, and vitality. In addition, everyone has a different view of what is suitable for the Times Square building, full of controversy.
Local planning requirements, the maximum area requirements, and the project budget, to a large extent dominate the building shape. To break through this strict body frame, to create a meaningful building, the appearance of the design than the building shape seems to be more important. The end is a complex that is called by the New York Times as a 40-storey tower of the Latin skyline and a box building.
The project uses a symbolic and metaphorical approach, divided by a symbolic meteorite of more than 40 layers of high arcs of the tower into horizontal and vertical patterns of vitreous, brown horizontal and blue vertical bodies representing the land and sky. The metal sheet curtain wall box represents the beating dice. See below. The surface and color of the glass surface play a significant role in the appearance of the building. The architect with Viracon (glass maker) took eight months to determine the glass color and combination. These combinations require special attention to details such as maintaining the direction of the color interlayer during the manufacturing process and the shape of the glass unit.
